building_space_with_words is featured on Caught in the Act: Art in Brooklyn, on
Brooklyn Independent Television (Time Warner 56 and Cablevision 69). It was premiered on October 28 at 10 pm.

For the next month, it will repeat every Monday & Wednesday at 2pm & 10pm.

It’s also on their website:

http://www.bricartsmedia.org/community-media/brooklyn-independent-television/caught-in-the-act

In the Wired UK edition from November, Andrew Blum wrote about the relationship between physical and virtual space in cities, how technology - social networking, mobile phones, etc. - are adding a layer to the physical cities. He argues that technology is not killing real communities but reshaping our interactions inside these communities (in organization studies, work on online communities such as open source (O’Mahony and Ferraro, 2007) or my work with Gerry DeSanctis on public online forums show the importance of geography and location for these online communities). It also reminded me a post  discussing an article in the NY Times on local communities blogs and how they ‘enhanced’ the physical.

Andrew Blum quoted Anthony Townsend, an urban planner and forecaster at Silicon Valley’s Institute for the Future who talks about “blended urban reality”: “neither cyberspace nor an urban landscape blanketed with blinking television screens, but the regular old city, albeit socially fused with real-time electronic interactions”. It evokes for me the move in organizational studies on the importance of materiality in organizations (despite the increasing number of “virtual” organizations, “virtual” teams and “virtual” communities). It also highlights the complexity and subtlety of the phenomenon, where usual interaction patterns, communicative practices are blurred and redefined - something we started exploring in building_space_with_words.

Townsend makes a surprising argument that as cities grow bigger, and mega-cities multiply, technology make them manageable: “Cities maybe be much bigger, but the social graph is the same” (Townsend quoted by Blum).
Yet Blum rightly reminds us that even if technology is a tool that helps coping with the city’s chaos and scale, it does not mean that physical space should be not taken into account, on the contrary I would argue.

“Density increases the need for thoughtful public space. For the cities of the future to work, the physical and the virtual have to stick together” - Stick together to allow people to develop a sense of place…

I’ve just read about this installation which was exploring the relationship between the physical and the virtual space:

Constellations is a network music installation by Atau Tanaka connecting the physical space of a gallery to the imaginary space of the internet through sound and image. Visitors in the gallery navigate an onscreen universe of planets, invoking audio to stream into the gallery. The planetary system is the interface to a library of soundfiles existing on servers throughout the internet. Each planet represents a contribution from a different composer. The sounds coming from the network space resonate in the acoustical space of the gallery, connecting these two universes.

Last summer I described my experience of “playing the building”, an installation by David Byrne which was taking place in NY. When I moved to London this summer, as I was walking nearby Camden Town, I saw a big poster advertising “Playing the building”. Byrne had revived his work in the Round House, a building in Chalk Farm, close to Camden Town.

When  Aileen visited us in London, we went together - interested by this attempt to inhabit a material space allowing others to interact with it. I was also curious to see how similar and how different it will be. The concept was the same “a sound installation in which the infrastructure, the physical plant of a building is converted into a giant musical instrument” (David Byrne, 2005) and people were invited to interact. Yet, the feeling was very different. The space in New York was an old factory, the infrastructure was visible. The Round House is a beautiful building, also quite “raw”. However, the “infrastructure” seems less visible and thus it did not feel so much like “playing the building” - “building space with sounds”. Moreover, the round shape of the building made the wandering through the space more difficult.

I arrived nearly 2 weeks in London and was planning to get a phone fast but realized one needed a bank account to have one, and this takes some time.

I could have taken a pay-on-the-go phone, but thought, “better just to wait, I can survive a few days without a cell phone”. I can, this is confirmed but along the way I also realized how my perception of the city changed. When I go and meet people, I always have this worry that I might be late, or they might and they won’t be able to call me. I could go to a public phone but it is as if the phone booths don’t seem efficient anymore.

I went to this meeting in Hampstead and I got lost and was late. There were no public phones around. I had a few seconds of frustration and then I thought, “I’ll get there when I get there”… I was 20 minutes late and apologized. It was OK but I don’t think the person I was meeting could really picture someone without a cell phone.

What does all this tell us? How connected, technology dependent we are. I guess so. It also shows the materiality of these connections - cell phone, public phones, etc. More deeply I realized that I had this mix feeling of being alone, not being able to talk or text anyone, and a sense of freedom. Text messages are often these tags we send to each other, sharing our perceptions, waving at the other. They create a second layer of space. Yet, once this habit is put on hold, there’s a sense of freedom, even maybe adventure to walk in the city “on your own”. From being “disconnected” I became “unconnected”.

al

As a follow up to the discussion started with my post on the project, Taking From, Leaving in, Moving on, I thought that the installation “Waste Not” by the Beijing artist Song Dong is very relevant. It is currently at MOMA. I saw it last Friday before leaving for London.

The installation consists of objects collected by Song Dong’s mother during 50 years. “The assembled materials, ranging from pots and basins to blankets, oil flasks, and legless dolls, form a miniature cityscape that viewers can navigate around and through.”My first thoughts were for the concept of materiality, of evocative objects, of the importance of “stuff” in our lives when I first came in the space. My second thought was “His mother did not move!”. I had thrown so much before moving to London, and had been throwing so much before (which is hard for me who tend to get attached to objects, and who love my books - these I don’t throw them. I left a few behind, but only a few and I keep shipping them… ). It also reminded me Yasmine’s post: All what I own or another post by Yasmine: How much does home takes?

These are issues we started exploring with Aileen in a curating collaboration on neo-nomads, evocative objects and a sense of place, with Baseera Kahn at Rotunda Gallery planned for March 2011 (I know it seems far away… to us too! but it’s an exciting project. We’ll keep you posted).

al

An interesting article was posted by Jesse Shapins and Brian House (who collaborate on the Yellow Arrow) on the Urban Omnibus entitled Designers and citizens as critical media artists. They discuss their views on maps, cities, technologies and the role of art as a research practice.

Here are few themes and quotes that I found really interesting. I let you read the whole article and I’d be curious to read your thoughts.

On the method (which is a theme that emerged from our discussion on this blog - collaboration between artists and scientists, social scientists), they have several interesting points and a great quote:

“Art exists that one may recover the sensation of life; it exists to make one feel things, to make the stone stony. The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects ‘unfamiliar,’ to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged.”

- Viktor Shklovsky, “Art as Technique” (1917)

Jesse and Brian note: “We wanted to stimulate another mode of urban practice that was based fundamentally in the physical, social spaces of the city. In other words, we wanted to get students out of the classroom and onto the streets. We were inspired by Shklosvky’s concepts of estrangement and “Art as Technique”, we then aimed to use media arts critically as a mode of research to gain new perspectives.”

On language and ” a mutually transformative relationship between language and the city”:

An interesting project they mentioned: ” One of the projects I’ve always found fascinating is ABCDF: A Graphic Dictionary of Mexico City. The general principal of this book is to re-define the city through a new form of dictionary. Thousands of words are defined by images from a wide variety of sources, ranging from the home photographs of ordinary citizens, to historical newsprints, to the work of famous contemporary artists. These images are complimented by short texts in a glossary at the back. What emerges is a highly detailed mosaic of the city that brings to life the everyday life of the metropolis.”

… and a project they develop for their students: “Furthering the language theme, we built on De Certeau’s understanding of walking through the city as an act of reading and writing. After each student defined around 35 words for their territory, the final assignment aimed to synthesize this material and create a series of design interventions in physical and virtual space. Writing in this new language, the core component of the students’ final project was to write a “poem” that linked together multiple words they had defined in their territory. In addition to the longer and visual media, students had to also now define their words in 140 characters as text messages. The poem would be read, then, as an SMS-based walking tour of their territory that poetically connects the words in physical space using the new vocabulary they have defined. We created the interface and the messaging infrastructure, which they could then script for their particular walks. The walks provided an experiential tour of the multiple layers of physical, social, historical and fictional qualities that students identified through their research throughout the summer.”

Go and check Periplurban their research platform

al

Here is an interesting essay by one of our blog members, Laura Forlano (published on Urban Omnibus) and how work and work practices have evolved and its implications for space, and for the design of cities.

http://urbanomnibus.net/2009/06/work-and-the-open-source-city/

Two points that I’d like to highlight in Laura’s article:

1.Laura highlights the tension between “the ways in which these emergent forms of organizing are deeply embedded in physical places and, at the same time, enabled by new technologies such as laptops and wireless networks.” This leads me to the more general discussion that is taking place in organizational studies on the role of materiality (boundary objects, space, etc.). It also highlights the point discussed at length on this blog on the merging, intertwining between physical and virtual space. Last, it is important to note that these new forms of organizing, sometimes described as virtual forms of organizing are not immaterial - just think of the laptops and the wireless networks!

2.  I found the anecdote on Laura’s experience in Japan really interesting. First of all, it reminded me of some of Pico Iyer’s descriptions of his life in Japan. Second, and more importantly, it leads to the question of the “nature” of technology. Even if we agree on the socially constructed nature of technology, we often still assume its cultural neutrality. Here as my work on videoconference also led me to discover (but unfortunately not investigage further) technology can be seen as a cultural lens - as it has been shown to be a social lens. This of course raises issues for researchers… all this work on informal interactions and innovation and creativity, and the role of space, does it make sense in all societies? in all cultures? what does it mean for global organizations?

thanks Laura for this great essay which raises so many important questions,

al

on the relationship between virtual and physical space… when the “nomad” finds a home - “virtual” yet “real”.

“I soon realised that the site would evolve into some parallel living space, some sort of lateral existence in connection with a different world, through the lens of design. (…)”

See “behind the scenes” at  http://www.bazartropicando.com/home_works.html

Hi,

just read an interesting article, My Living Room, in the Urban Omnibus by James Reeves, writer and designer.

James Reeves describes his perception of New York as he has just moved to Helsinski and that leads him to reflect of what makes him feel comfortable in New York and what is different in Helsinki. He highlights how cities, places in general (and our perceptions of it) emerge from structures, material dimensions (size of the blocks, street labels, stoops vs. court yards, etc.) but also social affordances - which includes mores and practices: cheap food, stores open all night long, etc. in NY which allows a certain life style and a certain type of interactions, and defines your personal space in a different way - your apartment is not the walls of the space you rent, but it extends out in the street. It reminded me my friend John Klima who always told me that “the city was his kitchen”.

Reeves notes:

“There are probably just as many people who prefer a city like Helsinki over New York, so perhaps it’s easier to tackle the question from another direction: is a personal connection to one’s environment simply a function of time and familiarity, or is it possible to arrive in a new city and, after taking a look at its buildings and establishments, immediately have a gut feeling that says, “Yes, this feels good. I could get comfortable here”? ”

I guess this article also touches me as I’m moving soon from NY after 3 1/2 years and my walks through Brooklyn and Manhattan take another dimension. I could empathize with his feelings as he’s reflecting on the places he knows, his routines as I feel the same when I go down Smith Street in the morning, stop by at Victory to get my coffee, or bike up to Prospect Park. Like Reeves I feel like I might not have taken enough photos and I do take some. My next stop is not Helsinski, but London - more exciting than Helsinksi many might say. I’ll tell you more in a couple of months.

I guess these issues can also be linked to the different ways people experience online spaces. We had lunch with two friends yesterday and we were discussing social networking platforms and other online tools. Two of us did not feel comfortable with facebooks and the type of interactions it supported but we loved skype which we perceived as a one-on-one communication tool which allowed us both fast (”peripheral” in some ways in the sense of “peripheral vision”)  and long (in-depth) interactions with people we know and like… More to be discussed here.

al